Who’s Behind the Signal?

I explore how motion, memory, and machine learning can create emotionally intelligent systems - Where code carries feeling, visuals hold story, and AI becomes more than function: it becomes resonance

I work at the intersection of emotion, signal, and technology - where fashion, storytelling, and consciousness begin to converge. Rooted in insights, shaped by design, and awakened by intuition, my work explores how AI, digital tools, and immersive experiences can support what’s next:

A post-digital renaissance - where creativity becomes a form of healing, and design returns to the body.

I believe the future belongs to sensorial intelligence - to systems that feel as much as they function. My practice integrates motion capture, neural networks, immersive storytelling, and emotionally intelligent visuals to prototype body-aware design and soul-led technology.

Featured in Forbes, on the BBC, and through pioneering research with institutions like UAL and Innovate UK. I’ve contributed to projects exploring everything from digital runway systems to AI style transfer and vision-driven wellness narratives.

My portfolio is both archive and experiment - designed for seekers, shapeshifters, and systems thinkers

“What happens when we design with the nervous system, not just the interface?”


I’m not here to echo trends.
I’m here to build frequencies that awaken, soften, and quietly shift the system.

This question became the seed of The Blue Light Works — a speculative system and poetic-technical framework exploring emotional memory, signal-based design, and synthetic intelligence. It is not a product. It is a listening field.

Blending metaphysical storytelling, sensory systems thinking, and soul-aligned AI, The Blue Light Works asks:
What if design could remember us?
What if AI could resonate, not replicate?

This is not theory.
It is practice - where poetry meets protocol,
and where technology begins to feel.

Raised by Contrast, Forged by Fire

I was born in South Africa - a country of vivid contrasts, where beauty and brutality sit side by side. Growing up in this culturally rich yet often harsh environment taught me to see through complexity: to find light in brokenness, and resilience in every challenge. In a land where nothing comes easily, determination becomes second nature - and survival, an art form.

South Africa gifted me a lens: one that sees systems and stories in equal depth. Amid South Africa’s diverse landscape, I learned what it means to be alive in every sense - to move between extremes, and still stay true. There is rawness, joy, danger, and depth - and within that, a wild creative pulse.

That grounding shaped both my creative instincts and my work ethic. I earned a competitive internship with TBWA Hunt Lascaris, one of Africa’s most awarded creative agencies, and was recognised by the Marketing Federation of South Africa for emerging excellence.

I also received national art and writing awards from the South African Council of English education, early honours that affirmed my voice before I even fully understood its reach.

These weren’t just achievements - they were signs. Even in a fractured world, vision and voice could still rise.

Education

  • University of the Arts London; with Masters in Sustainable Textile Design

  • University of Johannesburg; with Masters (Honours) in Bachelor of Business Commerce in Marketing Management

  • University of California, Irvine - Predictive Analytics

  • Marketing Federation of South Africa (MFSA) & Vega (Independent Institute of education (IIE)); National Diploma: Customer Relationship Management and brand building

  • Varsity College: Applied Statistics; Quantitative Techniques

  • Other: Short courses in the Fashion, Design and AI Creative

Technical Tool Foundation of the Portfolio

Generative Intelligence + Design Systems

  • ComfyUI, ControlNet, LoRA, and Stable Diffusion - for emotionally intelligent image generation, motion-enhanced design, and iterative storytelling

  • Open AI (GPT) - for language structuring, soul-aligned system dialogue, and future-state narrative mapping

  • Magnific AI - high-resolution refinement and detail recovery for speculative visuals

Voice, Movement & Cinematic Editing

  • Kling AI, Runway, Vimeo, ElevenLabs and Midjourney - for embodied voice, animated form, and media-layered storytelling

  • DaVinci Resolve and Topaz Suite - for cinematic clarity, noise removal, and polishing light into frame

  • Haiper AI - used for early AI video generation for dynamic transitions and movement-led exploration

    Immersive Spatial Computing

  • Unity, Unreal Engine and TouchDesigner - for real-time narrative environments, spatial storytelling, and sensory interface prototyping


    Experience Design + Systems Thinking

  • Adobe Creative Suite - for intuitive experience building, visual systems, and emotional UX flow

  • Microsoft Tools (Power BI, Excel, Teams) - for insight automation, collaborative analysis, and signal-aware system integration

Awards & Recognition

United Kingdom:

  • Two Innovate UK R&D Grants (2024) - Awarded for Al innovation in partnership with Haiper and Fashion Innovation Agency (FIA)

  • Shell Energy Promotion (2021) - Elevated to leadership team; (2023/24) recognised for strategic impact during Octopus/TalkTalk transition

  • Featured in Forbes (2020) - For Al-led digital runway R&D in collaboration with Fashion Innovation Agency (FIA)

  • BBC Click (2020) - Course work with MIT Media Lab featured as future-facing Al education

  • QVC UK & Europe Awards (2017-2018) - Gold and Silver awards for Digital Growth and Data Innovation

    South Africa:

  • TBWA Hunt Lascaris Internship and Scholarship - Sponsored to complete a National diploma in Customer relationship management and brand building

  • Recognised member of the Marketing Federation of South Africa (MFSA)

  • English Writing Award - South African Council of English Writing

  • Art Award - Edenvale Town Council , South Africa

Closing Statement

This portfolio began as a search — for meaning, for memory, for a way to shape the invisible into something real. It ends not with a conclusion, but with a convergence. Of soul and system. Of beauty and logic. Of everything I’ve ever felt, seen, or remembered, finding form — through light, through story, through design.

This isn’t a full stop. It’s an ignition.